![]() ![]() ![]() “So I combined these metal objects with these white shelf boards, and I started dreaming. Most of the materials that are in the show have been found within a mile of my home. It wasn’t something you could create - it was environmental. A lot of the wood had a really rich quality and patina. “White shelf boards that would come out of old kitchens here in Old Town. “What I saw was raw material and blank canvases,” he said. Over the years, Fulbright continued to pick up things he found. I was talking to the owner, and he said, ‘We are going to have to tear this building down,’ and I said, ‘Well, do you mind if I have any of these bricks or metal objects?’ and he said, ‘No, that’s fine.’ They were going to have to remove it all anyway.” It was a roofing company, and it had all these odd little metal pieces, cutoffs, outside the building. “The building had been damaged in Hurricane Rita. “Years ago, after Hurricane Rita, there was lots of material on the road - wood, metal objects - and I would take my little dog for a walk and we would pass by this place,” he said. No one ever said, ‘You know, John, you really ought to be a photographer.’ But it’s been the most satisfying thing I could do.”įulbright began developing his fire images in 2005. Coming from a conservative family from West End Beaumont, I was to go to business school or law school. “I’ve never thought of myself as an artist. “I’ve been hanging around The Art Studio so long that I really understand artists,” he said. “That’s the genesis of the pyrograms - using fire instead of light to produce images.”įulbright said he doesn’t have any formal training, but he loves artists. I wanted something that’s fun, spontaneous, timely - I just wanted something that’s more me than photography. “Photography is process oriented - it takes a long time it takes a lot of materials to get it from the camera to the wall. “What I was attracted to about this process is it’s quick and it’s immediate, and you can get it up on the wall without much fanfare,” he said. The 54-year-old has built a successful photography career, but said he wanted to find a different way to be creative. #Artstudio pro impressions free#The exhibition opens with a free reception from 7 p.m. Making something out of nothing inspired the title of his show, “Previously Invisible Worlds,” at The Art Studio, Inc. Like Felix ‘Fox’ Harris said, ‘Make something out of nothing.’ That idea really turns me on.” It’s satisfying it’s physically invigorating, and you get to see results. “We were happy and working, so I thought, ‘What if you could program a robot to be happy - artificial intelligence with an innate sense of joy?’ Work is not a dirty word. “We were having a lot of fun in our spare time working at Charlie’s, helping him build his studio, collecting materials, building his road,” Fulbright says. And what are they doing?”įulbright and his friends were working at the home of Charlie Stagg, a local artist who used bottles and concrete to build his Vidor house. “They have human characteristics, but they are not exactly human. “They look like robots to me or alien in some way,” he says. #Artstudio pro impressions series#The Beaumont native, who says he has always been a science fiction fan, has created a series of “pyrograms” that invite the viewer to explore an alternate reality, a utopian future of joyful robots who build communities, both physical and spiritual. ![]()
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